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Introduction
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Part I: Troubled Spectatorship and Reception
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Under the Influence: Trouble in the Audience
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Trouble on the Historical Frontier: Will Rogers’ Two Wagons—Both Covered (1924)
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Correcting the problem: genre trouble and manipulation in The Shining (Stanley Kubrick’s film, 1980; Mick Garris’s miniseries, 1997)
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Trouble in Paradise: Stanley Kubrick’s Eyes Wide Shut (1999), from Generic Instability to an Ethics of Trouble
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Provocateur or Documentarian? Revisiting William Friedkin’s Troublesome 1980s in 'Cruising' and 'Rampage'
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Distorting Perception to Influence Reception: the Troubling Impact of TV Series Representations on US Politics and Society
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Crossing the lines between fiction and reality: The Infiltrators and the De-criminalization of Unauthorized Immigrants
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Expressive Realism and Troubled Subjectivities in the Films of Lynne Ramsay (1999-2017)
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Part II: Troubling the status quo: interrogating race, class and gender on screen
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Screening the Troubled South: “Professional Southerners” in Hollywood Before and During the Code Era
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The Ku Klux Klan on Screen and the Troubles of Reception
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Debunking the American Hero: The Topos of Intoxication in One A.M. (Chaplin 1916), Wings (Wellman 1927), Major Dundee (Peckinpah 1965)
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The Trouble with Burlesque (in Classical Hollywood Cinema)
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The “Trouble” with Female Power: Witchcraft, Sexuality and Magic in the Chilling Adventures of Sabrina (Netflix, 2018-2020)
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Working Girls, From Ally McBeal to Rebecca Bunch: the Evolution of the “Crazy Ex-Girlfriend” on Screen
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