Under the Influence: Trouble in the Audience

Trouble on the Historical Frontier: Will Rogers’ Two Wagons—Both Covered (1924)

Correcting the problem: genre trouble and manipulation in The Shining (Stanley Kubrick’s film, 1980; Mick Garris’s miniseries, 1997)

Trouble in Paradise: Stanley Kubrick’s Eyes Wide Shut (1999), from Generic Instability to an Ethics of Trouble

Provocateur or Documentarian? Revisiting William Friedkin’s Troublesome 1980s in Cruising and Rampage

Distorting Perception to Influence Reception: the Troubling Impact of TV Series Representations on US Politics and Society

Crossing the lines between fiction and reality: The Infiltrators and the De-criminalization of Unauthorized Immigrants

Expressive Realism and Troubled Subjectivities in the Films of Lynne Ramsay (1999-2017)

Screening the Troubled South: “Professional Southerners” in Hollywood Before and During the Code Era

The Ku Klux Klan on Screen and the Troubles of Reception

Debunking the American Hero: The Topos of Intoxication in One A.M. (Chaplin 1916), Wings (Wellman 1927), Major Dundee (Peckinpah 1965)

The Trouble with Burlesque (in Classical Hollywood Cinema)

The “Trouble” with Female Power: Witchcraft, Sexuality and Magic in the Chilling Adventures of Sabrina (Netflix, 2018-2020)

Working Girls, From Ally McBeal to Rebecca Bunch: the Evolution of the “Crazy Ex-Girlfriend” on Screen